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Re: in2worlds.net

I read your article on Oregon and it made me remember something.  In high school, I had this American history textbook that described Oregon as the "state of experimentation."  The book spoke of the government using Oregon as place to experiment with new laws and such.  Perhaps it is also a place of experimentation of a different kind.

There is another message board I used to go to, which I left out of boredom.  It often discussed government conspiracies of a different kind--conspiracies to destroy the family, brainwash people, cause a meltdown of the economy, blah blah.  The board members placed the blame on "Zionists" and Zionists only.  I knew they were far off the mark.  Anyways, a group of members all of sudden began trying to convince everyone else to get up and move to Oregon.  Why Oregon?  I never exactly understood why.

17 Reply by lyra (edited by lyra 2006-03-12 19:28:54)

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Mutant Mouse wrote:

In high school, I had this American history textbook that described Oregon as the "state of experimentation."  The book spoke of the government using Oregon as place to experiment with new laws and such.  Perhaps it is also a place of experimentation of a different kind.

Veeeerry interesting........!   Thanks for mentioning that.  It does seem to be a testing grounds of sorts from what I noticed.   "Gee, how far can we squelch the population down anyway?!?!  mmmmmmwwwwwaaaaaaahahahahahahahaha!"


Mutant Mouse wrote:

Anyways, a group of members all of sudden began trying to convince everyone else to get up and move to Oregon.  Why Oregon?  I never exactly understood why.

wink  I think after reading the Oregon piece we know why!  big_smile  big_smile  Seriously.   I almost shuddered after reading what you wrote......just the idea of mass herding naive people into a very bad area like that......eeeh.  Very creepy.

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Re: in2worlds.net

Speaking of Oregon, has anyone heard of similar things about Seattle, or that area, and possibly even a connection between Seattle and Massachusetts? Up through that area, you are heading towards Alaska and HAARP, and I wonder about that connection as well.

19 Reply by lyra (edited by lyra 2006-03-13 06:51:38)

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SednaSphere wrote:

Speaking of Oregon, has anyone heard of similar things about Seattle....

OHH yeah.....my brother told me that Seattle "is even worse" than Portland.   According to what he told me, it's like Portland, but times three.  And he didn't just mean in regards to the alcoholism and unemployment and homelessness, he meant in terms of the vibe "feeling" of it.  It's pretty intense.

I had endless opportunities to head up to Seattle while I lived in Portland, I could've gone any weekend that I wanted, but it just.....never happened.  In retrospect it's like maybe something prevented me from going.  I even got as far as driving north into Washington several times for like 40 miles or so, then "giving up" and turning back.   Weird...REALLY weird, now that I think about it.  Especially considering that I drove 200 miles roundtrip out to Astoria Oregon on a whim one afternoon, TOTALLY unplanned.  Just woke up on the weekend, like, I'm bored....Hey!  Let's go to Astoria!  (cue happy crazy music....haha)    So it's not like I couldn't have gone to Seattle.  I just....didn't...or maybe couldn't....

weird....

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Re: in2worlds.net

lyra wrote:

Mulholland Drive - I kept hearing that it's one of the biggies, and while I can see some things in it that are symbolic and quite obvious, I kind of really had to dig to find the rest, to be honest.  Like I said in the write up - it's been mentioned so often that I decided to include it, why not, but, you know...I don't know.  Although admittedly I really dig the movie and own it, and agree with whoever out there in the world said, "David Lynch finally suceeded in making a David Lynch movie."  Most of Mulholland Drive is just a variation of his previous outings.  Mostly "Lost Highway", with its twisting reality and what's real / what's a dream plot, people having two identies, strange and unusual characters, gangsters and bad guys and whores, it's all the same movie, done a different way.  wink

I rewatched Mulholland drive last week and I think I understand it better.


I think it is a movie about a mind-controlled slave who's programming is failing.

This is probably well known.

When I watched it with that mindset the movie made more sense.


Just a few things I noticed.

Rita was supposed have been murdered at the beginning of the movie.
    She had reached her expiry date. 
    The blue box represents her mind.
    The small guy in the Plexiglas room is a member of the Illuminati.
    The cowboy is her programmer.
    The nice/mean older couple at the beginning and end were involved in her programming.
    (Intense love followed by evil.)
    That is why they are so nice at the beginning but mean at the end after the cowboy gave a trigger phrase.
    (You'll notice 2 seconds of film where the Cowboy pokes his head in the door and utters something like "You can go now."  )
    I'm pretty sure that Rita and Betty are suppose to be different personalities of the same mind controlled slave.     
    Since Rita was not disposed of at the beginning of the movie, her controller activated the personality that was trained to commit suicide. 
    I bet there are many other parallels.


    I think Mulholland Dr is David Lynch's expose of the reality of mind controlled slaves and expose of Illuminati controlled Hollywood.
    You'll notice that Lynch dedicates the film to actrice Jennifer Syme who died in a mysterious way at the age of 29.

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21 Reply by lyra (edited by lyra 2006-03-13 08:40:13)

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google wrote:

I think it is a movie about a mind-controlled slave who's programming is failing....

Just a few things I noticed....

Wow....that's pretty good.  At first I was skeptical of some of your conclusions, but pondered it all for a bit, and I think you're right. 

If you're right about this, then this would make Mulholland Drive one of the most clever, double-meaning movies I've ever seen.   On the surface, it *seems* to be a movie about a woman's fantasy of how she wished things had gone.  Her real life is in shambles, then she killed herself, and what we watch in the movie is just her mind's delusion fantasy.  Only at the end are we shown what "really happened."

Yet, that doesn't explain all the bizarre, loose ends littered throughout the movie - the Cowboy. the "BIG CONSPIRACY PLOT" concerning getting Camilla Rhodes put in the movie.....or else.   The small guy in the Plexiglass room.   The blue box.  Adam Kescher being forcibly removed from the picture, his bank account drained, and his wife turning on him out of nowhere.  I mean, there's just all these weird, loose ends that really make no sense.  Most everybody just chalked it up to it being "David Lynch", but, you know....maybe there's more to it.  wink  Eyes Wide Shut was pretty clever, but this takes the cake! 

google wrote:

Since Rita was not disposed of at the beginning of the movie, her controller activated the personality that was trained to commit suicide.

Indeed...I definitely think you're right......


Oh, and I looked up Jennifer Syme since you mentioned her, because I've heard about her before, that she was pregnant with Keanu Reeve's child, then miscarried, then died in a car accident three months after that.  It's tragic, but is there really a conspiracy involved?  I don't know.  Pretty much nobody even knows who she was.  On imdb.com, it lists her acting credits as three bit roles that nobody would have even seen, one of which was in Lynch's "Lost Highway", as "Junkie", which is probably why he dedicated Mulholland to her.   But wouldn't tragic conspiracies happen with people who are a little more well known?  I don't know, I have no idea how it all works.   But one prolific example to better illustrate would be Mariah Carey.  Married to the head of Sony, kept tucked away and isolated in his Long Island mansion, all obsessed with her mind control symbolism of rainbows and butterflies, always smiling and looking picture perfect like a Stepford Singer.   Then she rebels and breaks free and gets a divorce...and coincidentally has a mental meltdown.  Showed up at MTV's TRL pushing a popsicle cart down the aisle, tossing popsicles at people, seeming like she was in a goofy, spacey, drugged stupor......like her programming had gone haywire.  And all at the age of 30.   You know, "THAT AGE" when MK Ultra people are offed.   It seems she may have had a close call with being taken out, and was even hospitalized for "exhaustion" (right) going all mentally batty.   

Now she's re-emerged, with a CD entitled...."The Emancipation of Mimi."

She's admitted openly that Mimi is her alter-ego.

ding ding ding!

Anyway, I digress.  I figured this was a good place to get my "Mariah Observations" out there.  It's my thread anyway, so it doesn't matter if I'm sidetracking stuff.  big_smile  haha

At any rate, I just may re-watch Mulholland this week, keeping in mind your theories, see what else I can dig up.  Thanks for the info.............

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22 Reply by lyra (edited by lyra 2006-03-13 08:49:35)

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ps

I did a Google on images of Mariah and came up with this:

http://www.absolutewallpapers.com/wallp … arey_1.jpg

Hello. "Over the Rainbow" sex kitten programming, anybody????  (See Fritz Springmeier if you're confused!)

Sorry, I know this isn't a Mariah thread, but now I'm thinking about mind controlled celebs.  haha  And that pic of Mariah is so flippin OBVIOUS...but, only if you're aware of this stuff.  And most of the general public isn't.  In the end, stuff like this seems pretty tragic to me, people being used and flaunted around like that and the public adores them, which encourages it, not knowing what's really going on behind the scenes.

"Life's journey is not to arrive at the grave safely in a well preserved body, but rather to skid in sideways, totally worn out, shouting "Holy shit ... what a ride!"  - Anonymous
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Re: in2worlds.net

Funny, I just watch Mulholland Drive last night trying to figure this one out!  And wow, it still doesn't make sense.  The whole time I was thinking about the mind-controlled theme and its the only thing that makes this movie make sense (to some degree). 

The movie definantly isn't in a linear time fashion, but if so then the first timeline has to be false, so obviously the blue box, the cowboy, the guy behing the glass, and the guy behind the store are all part of the timeline manupulation or "reality controlling" and are doing something to Betty and Rita.

So what was the meaning of the first "part" of the movie?  What was up with the black book which contain the history of...?  Maybe it has the "answers" in it, thus Betty (after everything goes out the window) meets with that one guy (who in the other TL got the book) to kill Camilla?  Then he says that the key will be in place.  And then Betty kills herselves.  Hmmmm still not making sense as I attempt to put it together.  Ahhh well.  Gotta love the mystery.

BTW Lyra your site is really awesome. smile

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24 Reply by google (edited by google 2006-03-13 09:11:16)

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Re: in2worlds.net

lyra wrote:
google wrote:

I think it is a movie about a mind-controlled slave who's programming is failing....

Just a few things I noticed....

Wow....that's pretty good.  At first I was skeptical of some of your conclusions, but pondered it all for a bit, and I think you're right. 

If you're right about this, then this would make Mulholland Drive one of the most clever, double-meaning movies I've ever seen.   On the surface, it *seems* to be a movie about a woman's fantasy of how she wished things had gone.  Her real life is in shambles, then she killed herself, and what we watch in the movie is just her mind's delusion fantasy.  Only at the end are we shown what "really happened."

Yet, that doesn't explain all the bizarre, loose ends littered throughout the movie - the Cowboy. the "BIG CONSPIRACY PLOT" concerning getting Camilla Rhodes put in the movie.....or else.   The small guy in the Plexiglass room.   The blue box.  Adam Kescher being forcibly removed from the picture, his bank account drained, and his wife turning on him out of nowhere.  I mean, there's just all these weird, loose ends that really make no sense.  Most everybody just chalked it up to it being "David Lynch", but, you know....maybe there's more to it.  wink  Eyes Wide Shut was pretty clever, but this takes the cake! 

google wrote:

Since Rita was not disposed of at the beginning of the movie, her controller activated the personality that was trained to commit suicide.

Indeed...I definitely think you're right......

I'm encouraged that you give my intrepretation some credence.


I think the movie is about 2 things, actually.

1) Illuminati control of Hollywood.

2) The unravelling of a mind-controlled slave's programming. 




The Powers That Be attempting to manuvure that young new actrice (probably a new mind controlled slave ) into star position is there to demonstrate how the Illuminati put their hooks into the industry.

Same goes for the director, Adam Kescher who, initially, refused to put her in the film.
His money disappreared and was taken off the project.



I also think that Betty Elms/Diane Selwyn Laura Harring,  Rita/Camilla Rhodes may be all the same person. I think those love scenes between them could be the alter personalities getting to know each other as the multiples start to fuse together.


I don't thinks that all the odd details can be accounted for.

For instance, why does the rest of the world see 2 people ?

The important thing is, "How does the movie make you feel at the end ?".


Just so you don't think that I came up with this out of the blue (I'm probably not that bright.) I came accross the following off the internet :

the bizarre, frightening Mulholland Drive makes perfect sense – mafia / Illuminist control of Hollywood movie production, the frightening blackmail character known as "the Cowboy," (probably indicative of Bush Administration and cronies,) mind-controlled attractive blonde females preferentially given movie roles by Mafia honchos despite lack of talent, a demon that actually manifests at the end of the movie and is holding a blue box and key symbolic of mind control techniques, the betrayal of friends at the hands of others, hidden assassinations, Luciferian nighttime rituals featuring an opera singer and magician with supernatural evil events, et cetera. Most people say they do not understand this movie.

I've only seen the movie twice but I'm going to see it a few more times.

I think Lynch is a true genius and Mulholland Drive holds me spellbound.



BTW

Do you know what the significance of the word "Silencio" could be ?

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Re: in2worlds.net

lyra wrote:

ps

I did a Google on images of Mariah and came up with this:

http://www.absolutewallpapers.com/wallp … arey_1.jpg

Hello. "Over the Rainbow" sex kitten programming, anybody????  (See Fritz Springmeier if you're confused!)

Sorry, I know this isn't a Mariah thread, but now I'm thinking about mind controlled celebs.  haha  And that pic of Mariah is so flippin OBVIOUS...but, only if you're aware of this stuff.  And most of the general public isn't.  In the end, stuff like this seems pretty tragic to me, people being used and flaunted around like that and the public adores them, which encourages it, not knowing what's really going on behind the scenes.

It's true, she does stike me as a mind control victim.


Very sad.

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26 Reply by lyra (edited by lyra 2006-03-13 09:31:00)

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google wrote:

I think the movie is about 2 things, actually.

1) Illuminati control of Hollywood.

2) The unravelling of a mind-controlled slave's programming.

Yup, I definitely agree.


google wrote:

I also think that Betty Elms/Diane Selwyn Laura Harring,  Rita/Camilla Rhodes may be all the same person. I think those love scenes between them could be the alter personalities getting to know each other as the multiples start to fuse together.

...or David Lynch is just like most guys and really digs the girl on girl action.  big_smile  haha   sorry. 

In all seriousness though, check this out.............(some brief back story needed.....)

On my website, I wrote in depth about how my brother, who was a mind controlled abduction victim, and being used for 'agent provocateur' type stuff, had a number that followed him - 141.   That number later transferred over to me the night he was arrested, again, and I decided to break ties to him.  Anyway, he used to watch the movie "Fight Club" literally, every single day.  And as  documented on my site, Fight Club is a big time mind control movie, full of symbolism, and used to help reinforce programming, and/or trigger people who have programming.

WELL...getting to my point here......At the point in the movie where the character of Edward Norton finally "merges" with his alter-ego, Tyler Durden, after the car accident, when he's lying in bed, that scene ends at exactly ***** 1:41 ***** into the movie.    Later, when Edward Norton is being interrogated, after waking up from his alter ego and realizing what he'd been doing in his black out periods, he's interrogated in Room #  ****** 141 ******

Okay....So the main point.................in Mulholland Drive, when Rita and Betty hook up and have their love scene, you theorize that it's the different alter egos "meeting" and getting to know each other.  I would have said "Yeah right, sure" to that if I hadn't discovered what I did about Fight Club........because see, at that point in the movie when Betty and Rita hook it up, it happens at exactly ***** 1:41 ***** into the movie.

Was "141" unique to my brother?   Or this is a number that for WHATEVER reason, is being used in mind control programming / split personality alter ego creation / control ??????


!!!!!!!!!!!!!!!!!!!!

oh jeez.  i just had another thought.  oh my.   The night my brother was arrested and taken away.  I decided that's it, I'm done with him, we're parting ways in life.  It was like I "woke up."  As I mentioned on my website, after the cops left with my brother I glanced at the clock and it was exactly 1:41 a.m.

wow.  i never looked at the "Bigger Picture" of it, in terms of what we see in Mulholland and Fight Club, and their use of 1:41.

wow.


google wrote:

Do you know what the significance of the word "Silencio" could be ?

Well, in my write up I theorized that Silencio was a trigger word of sorts, because it was after the Silencio scene that the movie took an abrupt turn.  It's like "Fidelia" in Eyes Wide Shut.  Fidelia ties into the surface sub-theme of the movie, regarding fidelity and sexual relations, but it's also an "Access Word" for Bill to get into the private party/orgy of the elite at the Long Island mansion.  So yeah, Silencio, Fidelia, trigger words I think.

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Re: in2worlds.net

lyra wrote:

On my website, I wrote in depth about how my brother, who was a mind controlled abduction victim, and being used for 'agent provocateur' type stuff, had a number that followed him - 141.   That number later transferred over to me the night he was arrested, again, and I decided to break ties to him.  Anyway, he used to watch the movie "Fight Club" literally, every single day.  And as  documented on my site, Fight Club is a big time mind control movie, full of symbolism, and used to help reinforce programming, and/or trigger people who have programming.

WELL...getting to my point here......At the point in the movie where the character of Edward Norton finally "merges" with his alter-ego, Tyler Durden, after the car accident, when he's lying in bed, that scene ends at exactly ***** 1:41 ***** into the movie.    Later, when Edward Norton is being interrogated, after waking up from his alter ego and realizing what he'd been doing in his black out periods, he's interrogated in Room #  ****** 141 ******

Okay....So the main point.................in Mulholland Drive, when Rita and Betty hook up and have their love scene, you theorize that it's the different alter egos "meeting" and getting to know each other.  I would have said "Yeah right, sure" to that if I hadn't discovered what I did about Fight Club........because see, at that point in the movie when Betty and Rita hook it up, it happens at exactly ***** 1:41 ***** into the movie.

Was "141" unique to my brother?   Or this is a number that for WHATEVER reason, is being used in mind control programming / split personality alter ego creation / control ??????


!!!!!!!!!!!!!!!!!!!!

oh jeez.  i just had another thought.  oh my.   The night my brother was arrested and taken away.  I decided that's it, I'm done with him, we're parting ways in life.  It was like I "woke up."  As I mentioned on my website, after the cops left with my brother I glanced at the clock and it was exactly 1:41 a.m.

wow.  i never looked at the "Bigger Picture" of it, in terms of what we see in Mulholland and Fight Club, and their use of 1:41.

wow.

Amazing !


Also ...

I amazed at the depth of experience that many people have on this message board with things like aliens, spirituality, psychic issues and now you have a brother who may be a mind control victim.

I'm basically a boring lower/middle class  from a medium sized Canadian blue collar town. 

I wish I had more to add to the discussions here.
I feel outside of things at times.


I hope your brother can seek help and be treated.




lyra wrote:
google wrote:

Do you know what the significance of the word "Silencio" could be ?

Well, in my write up I theorized that Silencio was a trigger word of sorts, because it was after the Silencio scene that the movie took an abrupt turn.  It's like "Fidelia" in Eyes Wide Shut.  Fidelia ties into the surface sub-theme of the movie, regarding fidelity and sexual relations, but it's also an "Access Word" for Bill to get into the private party/orgy of the elite at the Long Island mansion.  So yeah, Silencio, Fidelia, trigger words I think.

I read your review of Mulholland drive at your website.

I must have forgotten some of it.

I'll revisit your site soon.

google's Website

28 Reply by morningsun76 (edited by morningsun76 2006-03-16 23:36:55)

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I just downloaded a DVD image of Eyes Wide Shut.  It's a 4.35 GB image, so somebody apparently converted it down in size a bit from the original DVD to make it fit on one DVD-R disc.   I doubt that affected the actual chapter numbers of the DVD or time flow of the movie itself, though.

Dr. Harwood (Tom Cruise) rents his costume and mask from a shop called Rainbow.  Also for rent at Rainbow, we later find out, is the shopkeeper's underage daughter. 

The specific scene where Harwood first arrives at Rainbow occurs during chapter 14 of this DVD.   He arrives at that store and is paying his cab driver at 01:01:41 into the movie.  So if you put the DVD chapter number in front of the timestamp of that scene, you've got two 141's back-to-back.  yikes

I'll have to rent a legitimate copy of the movie now, and see if the same holds true on the original DVD.  I imagine it will.

In addition to the marital fidelity theme in Eyes ..., the two "key" words Fidelity and Silence being discussed here both relate to the occult / military / secret society aspect of these films.

29 Reply by lyra (edited by lyra 2006-03-17 06:40:39)

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morningsun76 wrote:

I just downloaded a DVD image of Eyes Wide Shut.  It's a 4.35 GB image, so somebody apparently converted it down in size a bit from the original DVD to make it fit on one DVD-R disc.   I doubt that affected the actual chapter numbers of the DVD or time flow of the movie itself, though.

Dr. Harwood (Tom Cruise) rents his costume and mask from a shop called Rainbow.  Also for rent at Rainbow, we later find out, is the shopkeeper's underage daughter. 

The specific scene where Harwood first arrives at Rainbow occurs during chapter 14 of this DVD.   He arrives at that store and is paying his cab driver at 01:01:41 into the movie.  So if you put the DVD chapter number in front of the timestamp of that scene, you've got two 141's back-to-back.  yikes

I'll have to rent a legitimate copy of the movie now, and see if the same holds true on the original DVD.  I imagine it will.

In addition to the marital fidelity theme in Eyes ..., the two "key" words Fidelity and Silence being discussed here both relate to the occult / military / secret society aspect of these films.

Oh, but it gets even better.   wink   I had decided though not to post this, but since you resurrected this, hey, why not!  big_smile   But after I had the 141 realization concerning "Fight Club" and "Mulholland Drive", I went and checked out all the movies we have in our collection which are of a woo-woo nature.   

Now, most movies are usually not even 1:41 in length, so, this disqualified many.  But some are.  So, what did I find?

In "Eternal Sunshine of the Spotless Mind", (which I include a write up of on my website, in the Mind Control movies section) at the point in the movie when Clementine and Joel come face to face with each other, both having listened to their respective Lacuna tapes, and both realizing/remembering that they used to be together, with an entire life together that has since been erased, and it's that BIG MOMENT OF REALIZATION......it's at exactly 1:41 in the movie.  So, more of that whole "coming face to face with your alter egos/alternate selves" theme......at 1:41.

Donnie Darko.  At the end, as Donnie gets back into bed, laughing and giggling and musing how he hopes to see the end of the world, or something like that, and the camera pans on his Eye poster, and we see his sister coming back into the house after a date....and we're bracing for the jet engine to fall through the roof......it all happens at exactly 1:41 into the movie.  The jet lands on Donnie and kills him and closes the timeloop of his alternate self/alternate timeline at 1:41, going into 1:42 in the movie.  What are the ODDS on that???   It's the big clincher of the movie.

I actually didn't see anything signficant with Eyes Wide Shut at 1:41.  It's just Bill Harford walking around trying to find Nick Nightingale.  I expected something to be honest, but oh well.  wink   Although the rest of the movie is riddled with meaningful symbolism and layered meanings, and I have an in-depth write up for it on my website, noting every single thing I could find in the movie, including the ample "Over the Rainbow" references mentioned by morningsun.

So with FOUR MOVIES now that have some majorly, undeniable significant plot activity occurring at 1:41 into the movie that centers around alternate egos/alternate lives/alternate timelines, then it's safe to say it means something.  It's not my imagining it.   

Do we believe then that the movie makers somehow planned this?  I don't necessarily think that.  I'm thinking this is more like "hyperdimensional fingerprints."

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30 Reply by morningsun76 (edited by morningsun76 2006-04-09 17:29:51)

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Re: in2worlds.net

Lyra, those additional references are very interesting!

lyra wrote:

I actually didn't see anything signficant with Eyes Wide Shut at 1:41.  It's just Bill Harford walking around trying to find Nick Nightingale.  I expected something to be honest, but oh well.

The time I meant to indicate in my previous post was 1 hour, 1 minute, and 41 seconds into the movie (not one hour 41 minutes).