Thoughts on Matrix (Page 2 of 5)

Fundamentally, a stupa is essentially made up of the following five constituents:

a). A square base
b). A hemispherical dome
c). A conical spire
d). A crescent moon
e). A circular disc

Each of these components is rich in metaphoric content and is identified with one of the five cosmic elements said to make up the entire manifested existence. These are earth, water, fire, air and space.

Square Base: This symbolizes the element earth. The phenomenal world spreads out in the four directions and the square with its four sides is an appropriate metaphor for the same. These four directions define the earth and bind it in order. Hence the square is the perfect symbol to denote the terrestrial world. Often a stupa would have four gates, one for each direction, and various deities protecting the specific directions would stand guard over them.

The Hemispherical Dome: The main mass of the classical form of the stupa consists of a solid, hemispherical dome. Early Buddhist texts refer to this as the garbha, meaning 'womb' or 'container.' With this reference the stupa as a whole is called the 'dhatu-garbha.' Dhatu is Sanskrit for element. Herein lies the derivation of the word 'dagoba,' which is the short form of dhatu-garbha and which is the most usual designation of the stupa in Sri Lanka. Thus this section of a stupa is an allusion to the primordial, creative waters. Indeed in all the major cosmologies, life arose from the archetypal waters, a female symbol of formless potentiality. The dome by virtue of representing the womb from which issues all manifested existence signifies this creative matrix.

Hiranya is Sanskrit for golden and garbha, as mentioned above, means womb. According to Vedic cosmology, this golden womb was the nucleus from which all creation evolved. As a matter of fact it was often the practice to carve small recesses in the curved wall of the stupa to hold rows of oil lamps, so that the whole mound may be illuminated at night. The effect was to render the abstract concept of the golden womb or egg into a visible reality.

The dome is a symbol of both the womb and the tomb. According to Buddhist thought, before we are invested with a material body our souls are free and fully alive in the spiritual world. Our physical conception in the womb follows our death in the spiritual realm. The womb is thus the symbol of the tomb. This is the metaphysical counterpart of the historical view that the stupa evolved out of the ancient funerary mound. In this context the stupa is often referred to as the 'chaitya,' a word which is derived from the Sanskrit word for funeral pyre 'chita.'

The Conical Spire: This signifies the element of fire. Fire, of course, always rises upwards. When we kindle a fire it never burns downwards but always goes straight up. So fire symbolizes energy ascending upwards. It represents wisdom which burns away all ignorance.

The Crescent Moon: This denotes the element of air. Air has the capacity to expand. The female of the species shares this property with air. This is exemplified in the expansion of a pregnant woman. Indeed the crescent moon is an ancient symbol denoting femininity since the waxing and waning of the moon is said to mirror a woman's menstrual cycle.

The Circle: The perfect shape of the circle expresses wholeness and totality. It represents the principle which has no end or beginning. It thus signifies the element of space.

Finally crowning the apex of the stupa is a jewel like shape. This surmounts all the five elements and hence expresses a higher state of reality than that characterized by these elements.

This protruding jewel is found not only on top of stupas but also crowns the heads of Buddha-images of all countries and all periods. This is the ushnisha which sometimes looks like a flame springing from Buddha's head, and sometimes like a lotus bud growing there.

This protuberance signifies the Highest Reality, namely the Enlightenment of the Great Buddha himself. Hence in a sense, the journey to the stupa's top is a process of spiritual ascension, where the jewel lying at the end of the quest is Nirvana itself.

The identification of the highest point in the stupa with the highest point in Buddha's image leads us to ponder as to whether a more deeper correspondence can be established between the stupa and Buddha's physical body. According to Yogic thought, the five elements are correlated with the five psychic centers within the human body. This correlation is as follows:

1). The earth (prithvi) is the lowest psychic center. This is located between the feet and the knees.
2). Water (apas) lies between the knees and the anus.
3). Fire (agni) lies between the anus and the heart.
4). Air (vayu) lies between the heart and the middle of the eyebrows.
5). Space (akasha) lies between the middle of the eyebrows to the top of the head.

from http://www.geocities.com/freeyourbrain/index.html

ARTIFICIAL SYNCHRONICITY, LANGUAGE MANIPULATION, KUNDALINI AND THE CORNERS OF REALITY

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This website is about the activities and methods of foreigners operating in disguise on the surface of Earth, masquerading as terrestrials and living as characters. The two foreign groups that operate on Earth are hereinafter called "foreigners of Our Side" and "foreigners of the Other Side".

The term "THEY" refers to "both sides" unless otherwise specified:.

The "manipulations" carried out by the characters of foreigners of Our Side living on Earth - spiritualized human entities that some call "angels" - described throughout thisd website are NOT really malign, although this manipulation is often maliciously positive in nature.

Unlike these spiritualized foreigners of Our side, the foreign creatures of the Other Side (lizards, reptilians, etc.) are not able to read the minds of terrestrials. The characters of these foreign lizards living on Earth explore the weaknesses of the human being through a variety of other techniques of control also depicted all over this website.

THEY (foreigners of both sides) have to respect the free will of terrestrials and THEY have to avoid doing things that can give their characters away.

Specifically in the "Introduction" below, the term "THEY" encompasses not only foreigners, but also the terrestrial members of each one of these sides.

Concepts and practical exercises include also ideas and an in-depth and comprehensive analysis of "The Matrix", "The Truman Show", Carlos Castaneda, philosophy, quantum physics, George Orwell, Pavlov, kundalini, and Alice in Wonderland.

"THEY are the gatekeepers. THEY are holding all the keys,
THEY are guarding all the doors," (Morpheus, in "The Matrix")"

from same page as above.

1) INTRODUCTION

As of March, 2000, THEY represent about 95 to 98 percent of the total Earth population. YOU KNOW IT. YOU FEEL IT.

THEY have been growing in numbers since a "spiritual hurricane" swept up this planet from 1993 to the present day. YOU are a SURVIVOR of this situation. YOU KNOW IT. YOU REMEMBER IT.

THEY live in two different realities at the same time : THE STAGE and THE BACKSTAGE. You live in one. YOU KNOW IT.

THEY read your mind all the time, and manipulate language and synchronicity to keep what you call "your life" under their control. YOU KNOW IT.

THEY try to bend your belief system through falacies, false dichotomies and false premises, in order to sell you distorted ideas about their SECOND reality, which is presently only a reality-to-be to you. YOU KNOW IT.

THEY sell a dreamworld that doesn't exist, which is quite different from their REAL second reality (the so-called BACKSTAGE), and force you to deliriously fantasize about it. YOU KNOW IT.

THEY create DELIRIOUS RULES and sell you free access to their BACKSTAGE if you follow these sick rules. YOU KNOW IT.

THEY try to describe your day-to-day reality in a distorted way, using their sick beliefs to convince you. YOU KNOW IT.

THEY try to turn what you do in your ordinary "life" - for good or for bad - against you. YOU KNOW IT.

THEY manipulate every aspect of your "life", from your innermost fears, to the future your heart truly wishes to live, to the tiny details of your day-to-day routine (for instance, the decision you will take to have your coffee with sugar, sweeter or none of them). YOU KNOW IT.

THEY try to turn your thoughts against you. YOU KNOW IT.

THEY may even manipulate facts and change realities in the "society" you may think you live, in case you try to change, "improve" or "fix" things in your STAGE-WORLD reality. YOU KNOW IT.

THEY give you the sensation that you are being JUDGED by them. YOU KNOW IT.

THEY manipulate your nightly dreams, through symbols, archetypes, toons or comics, controlling and hypnotizing your behavior in these dreams. YOU KNOW IT.

THEY create false news, performing like actors in your world, just to keep you "tuned" in their PRISON, or ZOO, or CIRCUS, or MAZE, or whatever name you give it. YOU KNOW IT.

THEY use key words or symbols in the very sentences you hear and situations you watch all the time, so as to keep you under their control and manipulate your mind. YOU KNOW IT.

Words apparently innocent like : FIRE, MOTHER, POOL, HAIR, DOG, RAIN, TICKET, DEATH, DISABLED PERSON, ALLIGATOR, CAR, WHITE, HELICOPTER, ALCOHOL, PRINCE, BIRTHDAY, ANGEL, HOME, HORSE, PHONE, SHOES, MEAT, LOOKING-GLASS, LEFT AND RIGHT, TEACHER, PHYSICIAN, DENTIST, JAPANESE, KEYS, BANANA, PREGNANT, MILITARY RANKS, WINDOW, JEW, WAVE, BABY, LOTTERY, FOREIGNER, NAKED, ASSIGNMENT, ICE-CREAM, CUBAN, CONTEST, SMOKE, GLASSES, INJECTION, PLAYER, WATERFALL, and so many others. Words that shoot. YOU KNOW IT. YOU KNOW THEM VERY WELL.

THEY have turned you into a mesmerized puppet, and your mind into a slavery condition. YOU KNOW IT.

But if you open up your mouth and try to unmask them, THEY will DENY everything and call you a CRAZY person. If you insist, THEY may even get you literally under arrest or take you to a madhouse. YOU KNOW IT.

THEY ARE CHARACTERS. YOU ARE NOT.

THEY LIVE. DO YOU ?

(my boldness)

http://www.geocities.com/freeyourbrain/nopraise.htm

Realize that YOU ARE NOTHING. Ask your beloved one inside your heart. He/She will confirm to you. YOU ARE NOTHING. That's the dry, raw and naked truth. YOU ARE A PIECE OF NOTHING SURROUNDED BY A FACTORY OF ILLUSIONS. Can you feel it ? Feel it. Feel it over and over, day after day, till it's not necessary anymore.

"The Matrix is everywhere, even now in this very room. You can see it when you look out your window, or when you turn on your television. You can feel it when you go to work, when you go to church, when you pay your taxes. IT IS THE WORLD THAT HAS BEEN PULLED OVER YOUR EYES TO BLIND YOU FROM THE TRUTH." (Morpheus); "What truth ?" (Neo); "THAT YOU ARE A SLAVE" (Morpheus).        (from the movie "The Matrix")

Likewise the "Matrix" reality in the movie, THEY want to create and feed a SELF-IMAGE for you, so that THEY can continue with THEIR speculation indefinitely.

Ask yourself : do you wanna be FREE or do you wanna be a SLAVE ? Do you wanna be a PUPPET ? Do you want to feel like cattle marching into the SLAUGHTERHOUSE ?

If you wanna be FREE of this CIRCUS, you must not permit THEM to inculcate and manipulate a SELF-IMAGE in your brain, either positive or negative.

So you must reject all the labels THEY try to associate with your person, for good or for bad. These labels are the very root of THEIR speculation.

I'll repeat once more : YOU ARE A PIECE OF NOTHING SURROUNDED BY A FACTORY OF ILLUSIONS.

Is it any accident, also, that in today's system of legalisms and monetary functions we find these same words, where all legal faults are converted into "charges" that must be adjudicated by the black robed priests of the temples of justice (which is literally what they are), and made to be "discharged?"  No, this languaging is precise and purposeful. It is how the life force is retained, diverted and controlled, through the short circuitry of the masculine, electrical system life force is artificially built up into a capacitance and then released through discharge, the word capacitance and capacitor also having the same linguistic root as that of capita. Follow and understand the nature of language in order to see what there is to see in all of this, it is very revealing, which we shall demonstrate as we progress in this discussion.